
Pocos recuerdan el nombre de James Towle, quien la noche del 28 de Junio de 1816 destruyó 19 lanzaderas de máquinas textiles en la ciudad de Loughborough. Cinco años antes, durante el otoño y el invierno de 1811, luego de algunos ataques a talleres textiles que se habían “modernizado”, cuatro destructores fueron atrapados y llevados a juicio: catorce y siete años de trabajo para cada par de convictos. Los magistrados publicaban la siguiente nota:"There is an outrageous spirit of tumult and riot, houses are broken into by armed men, many stocking frames are destroyed, the lives of opposers ate threatened, arms are seized, stacks are fired, and private property destroyed, contributions are levied under the name of charity, but under the real influence of terror...all this tends towards insurrection.....".
En 1912, en la Casa de los Comunes, el poeta Lord Byron , la única voz que intentó proteger a los reclusos declaraba:
"The perseverance of these miserable men in these proceedings tends to prove that nothing but absolute want could have driven a large and once honest and industrious body of the people into the commission of excesses so hazardous to themselves, their families and the community"
La procuración de Nottingham endureció las leyes y la “destrucción de máquinas” se pagaría con la muerte. Towle fué el último, se le quebró la nuca. Cayó por el pozo de la horca gritando un himno luddita hasta que sus cuerdas vocales se cerraron en un solo nudo.Un diario de Leicester lo ponía así:
"At 12 o'clock he was brought upon the platform ... where he evinced a manly and becoming fortitude, worthy of a better fate. He bowed on his entrance to the populace, but made no address. After the Chaplain had gone through the usual prayers; the Prisoner gave out and sang the hymn with great solemnity and a very audible voice after which ... he was launched into eternity and appeared to die without struggle or emotion".
Dicen que un cortejo fúnebre de tres mil personas entonó el final del himno en su lugar, a capella.
"At 12 o'clock he was brought upon the platform ... where he evinced a manly and becoming fortitude, worthy of a better fate. He bowed on his entrance to the populace, but made no address. After the Chaplain had gone through the usual prayers; the Prisoner gave out and sang the hymn with great solemnity and a very audible voice after which ... he was launched into eternity and appeared to die without struggle or emotion".
Dicen que un cortejo fúnebre de tres mil personas entonó el final del himno en su lugar, a capella.
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